Authorized to restage and reconstruct Kun-Yang Lin’s choreographic works, adapting them to the strengths and artistic capacities of new companies and ensembles while preserving their choreographic integrity. Lead rehearsals, coach performers, and refine movement execution, expressive depth, and performance quality, honoring the original works’ social, historical, and cultural contexts.

Collaborate with artists across disciplines to co-create an evening-length original work—contemporary dance, dance film, dance drama, dance-theater, or hybrid forms. Develop the piece from concept through research and performance by integrating choreography, dramaturgy, visual design, sound, and film/media elements into a coherent artistic language.

A professor who engages deeply with students’ bodies, intellect, creativity, and lived experiences; a mentor who listens attentively and offers thoughtful guidance on academic development, career choices, and life journey. Explore balance and cultivate inclusiveness through a cross-cultural contemplation of the spaces in between — East and West, rigor and creativity, theory and practice, structure and experimentation. 

Lead production planning and management for performances and events, coordinating budgets, schedules, technical requirements, personnel, and logistics. Organize production meetings and facilitate communication and collaboration among artistic, technical, and administrative teams to support the creative vision and operate productions efficiently and professionally from pre-production through execution and post-production.

Oversee the planning, coordination, and execution of dance concert productions, serving as the central liaison among choreographers, dancers, artistic directors, designers, and technical crews. Develop tech schedules, coordinate stage logistics, manage backstage operations, and oversee lighting, sound, costumes, props, and scene transitions. Call cues during performances and troubleshoot unforeseen challenges in real time.